Museum 2.0

AUGUST 22, 2012

At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. I'm particularly excited about two internships that relate to participatory exhibition design. First, there is the Participatory Exhibit Design Internship.

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Participatory Museum Photography Unconference 37

Museum 2.0

MARCH 29, 2011

Last month, I learned about a fabulous, simple participatory experiment called “Case by Case” at the San Diego Museum of Natural History that uses visitor feedback to develop more effective object labels. Questions and answers rolled in. Our exhibits group knocked around ideas for mechanisms of audience feedback. Beiber Rules!”)

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San Diego History Museum Participatory 55

Museum 2.0

MARCH 4, 2015

This week marks five years since the book The Participatory Museum was first released. Across the museum field, the questions about visitor participation have gone from "what?" I thought the pinnacle of participatory practice was an exhibit that could inspire collective visitor action without facilitation. and "why?" to "how?".

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Participatory Museum Empowerment Facilitation 20

Museum 2.0

SEPTEMBER 18, 2013

Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. This post shares some of the most interesting questions I''ve heard throughout these experiences. Feel free to add your own questions and answers in the comments! The Museum 2.0

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Museum Question Participatory Evaluation 45

Museum 2.0

MAY 22, 2012

Imagine you've just been tasked with developing an innovative, future-thinking national museum for your country's history. Blueprint is the story of a group of people who tried to create a Dutch Museum of National History (INNL). The early participatory projects are terrific. Where would you start?

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Museum History Netherlands Create 36

Museum 2.0

APRIL 25, 2011

This post shares some of the most interesting questions I've heard throughout these experiences. Feel free to add your own questions and answers in the comments! BROAD QUESTIONS ABOUT AUDIENCE PARTICIPATION 1. Are there certain kinds of institutions that are more well-suited for participatory techniques than others?

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Question Participatory Museum Evaluation 49

Museum 2.0

JANUARY 13, 2011

The best participatory projects are useful. The participatory activity in question is part of the new Unfinished Business gallery, a room in which the museum engages with a contemporary issue related to the passion and work of Jane Addams and the historic Hull-House activist residents. Yes, this activity is political.

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Participatory Museum Action Experiment 44

Beth's Blog: How Nonprofits Can Use Social Media

APRIL 7, 2014

Then I build out the content and discussion questions. In reviewing the data and themes from the audience input, some terrific questions about engagement popped out: How can we become better at using social media so that our channels experience more engagement and convert people to get involved? How can we get people to talk to us?

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Social Media Headline Media Social 101

Museum 2.0

JULY 23, 2014

The Silk Mill is part of the Derby Museums , a public institution of art, history, and natural history. A strong participatory process is not a loosey-goosey, open the doors and do whatever strategy. It''s not a question of the participatory process being unidirectional, something that we are doing for you the community.

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Museum Product Participatory Community 53

Museum 2.0

JANUARY 25, 2018

For the past five years, each summer, the Santa Cruz Museum of Art & History has hosted MuseumCamp. Come share your projects, challenges, questions, wild successes and epic failures with creative changemakers from around the world. Develop compelling, powerful participatory offers and promises for your prospective partners.

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Community Participatory Museum Registration 31

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s.

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Model Activities Active Activism 98

Museum 2.0

SEPTEMBER 26, 2012

Visitors bond and bridge through participatory experiences at MAH. To apply the results of my analysis to produce a community-driven program design specifically for implementation at the Santa Cruz Museum of Art & History (the MAH). You can download and read the full version of my thesis here.

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Museum Program Participatory Community 49

Museum 2.0

JANUARY 11, 2012

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" And the next time someone questions the benefits of letting audiences actively participate, send them to Santa Cruz.

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Audience Museum Participatory History 47

Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. And to cut to the end of the story first, yes, we are creating a project together, yes, you can participate, and yes to whatever other questions this brings up in your head. The scale and scope of participation in A Show is extraordinary.

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Museum Participatory Artist History 45

Museum 2.0

FEBRUARY 19, 2014

It also complicates the question of what is acceptable in a museum. But these shifts come with necessary questions about how to scaffold the visitor experience in a "living" space so people understand what the heck is happening, how they can participate, and what is out-of-bounds. institutional change Museum of Art and History risk'

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Museum Arts Artist Participatory 50

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. To that end, our exhibitions are full of participatory elements. How do community members make your institution better? Visitors can comment on how we can improve or what they would like to see.

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Platform Open Museum Participatory 41

Beth's Blog: How Nonprofits Can Use Social Media

MAY 26, 2015

Designing A Participatory Hook for a Virtual Meeting. In a face-to-face training, I might do an exercise with sticky notes where I get participants to write down answers to a question or two related to the content on sticky notes. For this meeting, we asked two questions: What makes a meeting a good, productive use of your time?

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Facilitation Virtual Arts Participatory 50

Museum 2.0

DECEMBER 19, 2012

We're looking for an Exhibitions Manager to join our team here at the Santa Cruz Museum of Art & History. Some of the big questions on my mind include: If we change exhibitions more frequently, will it drive more repeat visitation? Will it give a sense of energy and change?

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Participatory Museum Blended History 32

Museum 2.0

FEBRUARY 9, 2010

Recently, I was giving a presentation about participatory techniques at an art museum, when a staff member raised her hand and asked, "Did you have to look really hard to find examples from art museums? I was surprised by her question. Everyone can have her own personal experience of history.

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Museum Difference Participatory History 29

Museum 2.0

APRIL 4, 2012

Museums have been grappling with this question for years ( here's a 2007 roundup of such projects ), most aggressively in zoos and natural history museums where staff hope to inspire conservation and in history/concept museums that focus on civic engagement and activism. There was no specific instruction with the dots.

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Story Participatory Museum History 47

Museum 2.0

OCTOBER 30, 2013

My biggest question for these social psychologists is this: how do we apply their lessons to our work? As we start the process at our museum of updating our permanent history gallery, one of our specific goals is to increase intergroup understanding in our community. Direct questioning.

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Measure Arts People Museum 47

Museum 2.0

APRIL 11, 2012

Once there was a project to design a national history museum in the Netherlands. The team developed some highly innovative digital projects and approaches to history. While not wholly explored, that question reverberates throughout a new book, Blueprint , that shares the plans for the Dutch Museum of National History.

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Museum North America Netherlands History 34

Museum 2.0

OCTOBER 2, 2013

Proposals involve sculpture, performance, participatory-projects, videos, and installation that use and respond to the museum’s collection. At every moment the question of restoration was countered with the preservation of traces. risk participatory museum guestpost Unusual Projects and Influences'

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Artist Museum Proposal Participatory 49

Museum 2.0

AUGUST 9, 2011

It's a little living room in a lobby area that invites people to lounge on comfortable chairs, leaf through magazines and books related to art and Santa Cruz history, and generally hang out. But Lisa questioned this. There's no question that the Creativity Lounge (and the puzzle) is a hit with visitors.

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Museum Arts History Columbus 51

Museum 2.0

MAY 2, 2012

Today is my one-year anniversary as the executive director of the Santa Cruz Museum of Art & History. It’s been a wild and wonderful year—without question, my most challenging and stimulating yet. I'm open to any questions you want to raise in the comments. It is incredibly rewarding work. I feel lucky.

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Museum Director Participatory Culture 55

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? There are many participatory experiences that appeal primarily to adults, and they are designed distinctly for adults.

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Interaction Design Museum Participatory 47

Museum 2.0

DECEMBER 15, 2014

Yet our posts contain similar phrases such as “21st century museums,” “changing museum paradigms,” “inclusiveness,” “co-curation,” “participatory” and “the museum as forum.” We urge museums to consider these questions by first looking within. We believe that strong connections should exist between museums and their communities.

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Museum Blogger Cleveland Missouri 52

Museum 2.0

DECEMBER 23, 2014

They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). When the opportunity to design my own two-hour museum adventure at the American Museum of Natural History presented itself, I jumped at the chance. That’s a tough question. Today on Museum 2.0,

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Museum Interview New York Interaction 55

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. I''m open to any questions you want to share in the comments. Participatory work can be very labor-intensive. QUESTIONS ON MY MIND: As we grow, how can we do as much growing as possible outside the museum''s walls?

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Museum Director History Teen 49

Museum 2.0

JULY 17, 2012

But we've just compiled all our attendance data for the past year at the Santa Cruz Museum of Art & History (our fiscal year ends on June 30), and several people have written to me asking for the numbers behind our turnaround. design new programs with a focus on history. I'm happy to answer any questions you might have.

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Museum History Arts Artist 47

Museum 2.0

OCTOBER 23, 2018

This project wove together many different participatory threads. Please let us know what questions come up, and most of all, how you can imagine using this toolkit in your work. Short story: we learned a lot. We wrote a toolkit about our process. You can download it for free right now. What did we learn? There were over 100 partners.

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Issue Childhood Community Create 45

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 30, 2009

A Learning History of the CARE LAC - Institute for Strategic Clarity Guatemala Poverty Project. Key is a participatory development process. What are your questions about system mapping and how you might use this in organization's strategy for movement building? See larger image here: Map from: Waddell, Steve.

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Map System Profit Guatemala 86

Museum 2.0

MAY 24, 2011

When I worked briefly with the Balboa Park Online Collaborative to conceptualize a mobile phone-based game to connect visitors to the park to its cultural institutions and history, I knew Ken would be the perfect person to make it happen. They leave LOTS of room for the audience to ask their own questions and fill in their own answers.

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Lesson Game San Diego Design 49

Museum 2.0

MAY 9, 2012

Attendees brought up questions about how they can get more involved with financial discussions in their institutions, how we can change the ways we approach fundraising, how we can think about earned income differently. In particular, we had a great group of 15 talking about participatory history experiences on Sunday.

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Reflection Columbus Museum Participatory 43

Museum 2.0

APRIL 21, 2011

I'm reaching the end of my consulting days, with just one more day on the road before I dedicate myself to Santa Cruz and The Museum of Art & History. The one-hour conversation will be wide-ranging, free-wheeling, and open to your comments and questions. I wanted to let you know about a bonus opportunity that has popped up.

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Arts Model Wisconsin Business 26

Museum 2.0

MAY 3, 2017

This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. The “we” isn’t always staff; in most cases, our staff work with community partners in a participatory, co-creative model. We develop the ideas.

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Develop Artist Participatory Blended 20

Museum 2.0

JUNE 12, 2012

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Participatory Museum Blackboard Game 51