Museum 2.0

APRIL 2, 2014

Beck''s project is unusual because he deliberately resurrected a mostly-defunct participatory platform: sheet music for popular songs. In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. Constrain the input, free the output.

Participatory 52

Participatory Arts Music Learning 52

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. A third argues that the project won’t be truly participatory unless users get to define what content is sought in the first place. Despite its long history, few researchers studied the use and impact of citizen science until the 1980s.

Model 98

Model Activities Active Activism 98

Museum 2.0

DECEMBER 23, 2014

They give high-energy, interactive tours of the Metropolitan Museum and the American Museum of Natural History (AMNH). When the opportunity to design my own two-hour museum adventure at the American Museum of Natural History presented itself, I jumped at the chance. Today on Museum 2.0, an interview with Dustin Growick.

Museum 55

Museum Interview New York Interaction 55

Museum 2.0

SEPTEMBER 7, 2010

Our archeology did not aim to uncover the hidden voice of my grandmother, but instead to begin an ongoing practice of recreation. Over time the movement and arrangement of things trails a layered aesthetic that convey histories and narratives of changing communities passing through this unfolding three-story artwork.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Museum 2.0

JULY 20, 2016

I never felt like I stumbled into the gallery where no one else dares to tread (as I often feel when I enter the dioramas in many natural history museums, or the period rooms of art institutions). That work showed in the human voices and stories throughout the museum. All were given value.

Museum 20

Museum Audience Music Arts 20

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. Rabinowitz commented that "as a 40-year veteran of history museum interpretation, I can say that I never learned so much from and about visitors." "Where were you last night?" A lone "What do you think?"

Goal 31

Goal Design Difference Platform 31

Museum 2.0

FEBRUARY 23, 2010

Yesterday, I had the delightful opportunity to participate in the 3six5 project , a yearlong participatory project in which 365 people write 365 journal entries for every day of 2010. It showcases diverse voices. The reasons to do so are many, particularly for a history-focused institution.

Participatory 34

Participatory Project Museum Journal 34