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Museum 2.0 Rerun: Answers to the Ten Questions I Am Most Commonly Asked

Museum 2.0

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Adventures in Evaluating Participatory Exhibits: An In-Depth Look at the Memory Jar Project

Museum 2.0

A man walks into a museum. Two years ago, we mounted one of our most successful participatory exhibits ever at the Santa Cruz Museum of Art & History: Memory Jars. Two years later, this project is still one of the most fondly remembered participatory experiences at the museum--by visitors and staff. He shares a story.

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Get Your CRM System to Become the Best Version of Itself

sgEngage

Evaluate users’ security access Each user of a system is provided with a username, a password, and the exact access rights they need to accomplish their daily tasks – at least, that’s what we hope! The answers to these questions can point the administrator in the right direction for what access rights the user needs.

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An Arts & Cultural Professional’s Guide to bbcon 2022 Virtual

sgEngage

For museums, gardens, zoos, and aquariums to serve all people in their communities, staff must be aware of the societal disparities and gaps that interplay with their operations, decisions, and programs. The goal is to equip you with questions to make evaluating solutions easier and more effective.

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Join us for Museum Camp 2014 on Social Impact Assessment

Museum 2.0

These are the questions that underpin Museum Camp 2014 , a professional development experience in which diverse people from the arts, community activism, and social services will measure the immeasurable together. This is the second year that the Santa Cruz Museum of Art & History (MAH) is hosting Museum Camp.

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Pranksters in the Museum

Museum 2.0

Two recent events have got me thinking about pranks and unauthorized activities in museums. Improv Everywhere staged an event at the Metropolitan Museum in which an actor posing as King Philip IV of Spain signed autographs in front of his portrait, as painted by Diego Velazquez in the 1620s. I feel like it's more complicated than that.

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Our Museum: Extraordinary Resources on How Museums and Galleries Become Participatory Places

Museum 2.0

They wanted to help museums and galleries across the UK make significant, sustained changes in the ways they engage community partners and visitors as participants in their work. The result, Our Museum , is an extraordinary funding program with a focus on community participation. didn't mince words. Here are my three top takeaways.

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