Museum 2.0

MARCH 13, 2013

Visitor-contributed photos surround a collection piece in Carnegie Museum of Art's Oh Snap! It can be incredibly difficult to design a participatory project that involves online and onsite visitor engagement. The museum selected and is featuring 13 works recently added to our photography collection.

Authoring 53

Authoring Open Experiment Museum 53

Museum 2.0

JANUARY 9, 2017

But Ultra-red reminded me that many environments function as distortion machines. I've met too many young, talented people of color who want to work in museums but feel belittled, tokenized, or unsupported in their careers. Or should they opt out, find friendlier environments, and stop participating in discriminatory spaces?

Participatory 20

Participatory Museum Voice Press 20

Museum 2.0

MAY 22, 2013

In other words, the more constrained the game environment, the less agency the player has. The museum invites art-making in the elevator. institutional change relationships participatory museum Unusual Projects and Influences game visitors' The more open, the more agency.

Game 40

Game Artist Museum Participatory 40

Museum 2.0

MAY 29, 2013

At our museum, we''ve gotten better at communication up from the front desk to the office. I doubt this would be the perfect solution for every organization, but it really is amazing how quickly it has changed the nature of cross-institution communication at our museum. participatory museum professional development'

Facebook 55

Facebook Museum Participatory Adopt 55

Museum 2.0

OCTOBER 31, 2012

Ever wish for a low-cost, energizing professional development experience where you can work intensely with diverse colleagues in a risk-tolerant environment? Three of them are being hosted at my museum , and one at a mystery location. You Can't Do That in Museums Camp - July 10-12, 2013. and this one is going to be awesome.

Professional 35

Professional Develop Museum Arts 35

Museum 2.0

APRIL 10, 2013

The weather is hopefully the least of the reasons you should want to come work with us here at the Santa Cruz Museum of Art & History. These are unpaid, part-time internships in which you will make a significant contribution to our work, and at the same time, learn a heck of a lot about participatory design and community engagement.

San Francisco 23

San Francisco Participatory Artist Museum 23

Museum 2.0

NOVEMBER 11, 2008

The Art of Participation provides a retrospective on participatory art as well as presenting opportunities for visitors to engage in contemporary (“now”) works. As the museum's website puts it, "this exhibition examines how artists have engaged members of the public as essential collaborators in the art-making process."

Participatory 20

Participatory Arts Design Museum 20

Museum 2.0

FEBRUARY 5, 2008

I was fascinated by our discussion, and Bob came to mind last month, when I was asked to write an article for the Association of Children's Museums quarterly journal, Hand to Hand , about children's museums and Web 2.0. To understand more, I turned to Elaine Gurian's article The Molting of Children's Museums? Why the uniformity?

Classroom 22

Classroom Children Museum Model 22

Museum 2.0

MARCH 27, 2009

This week, the Denver Art Museum (DAM) opened a new temporary exhibition called The Psychedelic Experience , featuring rock posters from San Francisco in the heyday of Bill Graham and electric kool-aid. It is an incredible museum experience. First, the environment.

Denver 21

Denver Museum Arts Remix 21

Museum 2.0

MARCH 21, 2012

How do you help visitors know what they can and cannot do in your museum? Most museums have this figured out: they have signs, they have guards, they have cases over the objects. And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us.

Museum 49

Museum Denver Artist Milwaukee 49

Museum 2.0

NOVEMBER 30, 2009

This guest post, written by Philippa Tinsley, Collections Manager for the Worcester City Art Gallery and Museum (UK), describes the innovative Top 40 exhibition they mounted in the summer of 2009. In my experience, museum professionals aren’t big reality TV viewers. Projects participatory museum.

Museum 23

Museum Chart Picture Arts 23

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. By calling ourselves a museum, we respond to those cultural institutions that have separated practice from production, exhibition from process, and work from play.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 15, 2006

SL will take longer to gel into a cohesive environment that has a purpose and a following than the explosive growth experienced by WOW. principles that has turned the web from pushed to participatory. ve found the environment elaborately constructed but humanly forbidding. t think at this time that SL wants to be a WOW.

Environment 50

Environment Teach Second Life Learning 50

Museum 2.0

MAY 26, 2009

On a recent trip to DC, an old friend showed me around a new exhibit at the US Holocaust Memorial Museum (USHMM), From Memory to Action: Meeting the Challenge of Genocide. The paper is perforated with one section for the promise, which visitors keep, and another section for a signature, which visitors leave at the museum.

Pledge 23

Pledge Museum Digital Indianapolis 23

Museum 2.0

DECEMBER 7, 2007

I got my copy of the fall issue of Museums and Social Issues this week. The theme is "Civic Dialogue," and the journal includes articles on the historical, cultural, media, and museum practice of getting people talking to each other (including one by me about such endeavors on the web). A place many museums are not.

Museum 22

Museum Lecture Denver San Francisco 22

Museum 2.0

MARCH 15, 2010

People often ask me which museums are my favorite. It's not the extent to which they are participatory. I visit lots of perfectly nice, perfectly forgettable museums. In some cases, that's based on subject matter, as at the Museum of Jurassic Technology or the American Visionary Art Museum.

Support 41

Support Museum St. Louis NSF 41

Museum 2.0

APRIL 22, 2008

Why discuss gifting on Museum 2.0? One of my greatest interests is the "p articipatory museum," in which there is substantive, unfacilitated visitor-to-visitor interaction. When I heard the tollbooth story, I started thinking about gifting as a model for participatory experiences in museums. Gifting extends your message.

Gift 23

Gift Participatory Museum Model 23

Museum 2.0

JANUARY 15, 2008

The presumed answer is "yes" your museum needs a blog, a pony, or a set of comfy couches. Does your museum need a custom online social network? Many museums have been experimenting in these spaces by creating institutional profiles, museum affinity groups, and connecting with visitors and other museum professionals individually.

Museum 20

Museum Social Network Case Study Discussion 20

Museum 2.0

MARCH 4, 2009

In other words, a new kind of talkback board or participatory educational program. The thing that excites me about this is not the opportunity to use all the weird-colored cardstock hanging around the supply cabinets of most museums. machines) for informal learning environments? If Signtific just asked the "What if?"

Game 24

Game Experiment Participatory Museum 24

Museum 2.0

JUNE 22, 2009

I'm working on a personal project (slowly) to open a cafe/bar venue that is also a design incubator for participatory exhibits. My goals are two-fold: to develop a dynamic, creative, social platform for my community and to distribute its successful elements to other civic learning institutions (museums, libraries, community centers).

Action 31

Action Ideas St. Louis Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 8, 2014

The Leading Change Summit was more intimate (several hundred people), participatory and interactive, intense, and stimulating. Good instructional design to create an environment for peer dialogue begins with good on boarding and for people to connect with something they already know or believe.

Reflection 124

Reflection NTEN Change Facilitation 124

Museum 2.0

AUGUST 25, 2009

Answers will differ depending on who's asking, but they are also influenced by the designed environment in which questions are asked. The outcome of our conversations is dependent on the diversity of designed environments in which they occur. "Where were you last night?" If someone asked you that question, how would you answer?

Design 31

Design Goal Difference Platform 31

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me. They talked about community building.

Build 20

Build Community Museum Artist 20

Museum 2.0

MAY 5, 2009

I just returned from the American Association of Museums (AAM) annual meeting in Philadelphia. I led two sessions, one on visitor co-created museum experiences, and the other on design inspirations from outside museums. what is the value of the exhibition experience to non-participants, that is, regular museum visitors?

Slides 20

Slides Participatory Museum Children 20

Museum 2.0

AUGUST 3, 2009

Last month, the Christian Science Monitor published an article entitled, "Museums' new mantra: Connect with community." It took me a couple weeks (and various museum blog responses ) to realize what bugs me about this article--it treats "connecting with community" as a marketing ploy, a "mantra" rather than a mission.

Community 22

Community Museum San Diego San Francisco 22

Museum 2.0

JULY 22, 2008

A platform for museum staff to serve as facilitators of safe spaces for difficult conversations? The Living Library was conceived in Denmark in 2000 as a way to engage youth in dialogue about ending violence by encouraging people to meet their prejudices and fears in a safe, fun, facilitated environment. I think so.

Library 20

Library Model Museum Europe 20

Museum 2.0

JUNE 12, 2009

In almost all cases, museums assure me that they want to be in conversation, that they want to be responsive, that they want to “really hear” what people think. In the other case, the institution was unwilling to engage in the conversational environment and ended up isolated, fueling the fire. Is this a research project?

Conversation 21

Conversation Museum Artist Minneapolis 21

Museum 2.0

MARCH 12, 2009

I believe that focusing specifically on the social capacity of an object, rather than its content or interpretation, yields new design techniques for museum exhibits and other participatory spaces. I want to connect these students to a larger group of people interested in exploring topics around social technology in museums.

Design 20

Design Experiment Seattle Social 20

Museum 2.0

SEPTEMBER 16, 2007

Out on the boardwalk, or at the zoo or a museum, there's a common experience of the sights, sounds, smells, activities of the place. It's a controlled environment--and while neither individual is in control, the partially limiting barrier makes it feel okay to act atypically. Tags: Core Museum 2.0 But I'm not so sure of this.

Museum 20

Museum Participatory Teen Game 20

Museum 2.0

AUGUST 7, 2008

For many museums, visitor research--how people use the museum, navigate exhibits, and understand content--may be an equally important arena in which to adopt groundswell listening techniques. I spent an hour this morning "brand listening" to what the online world says about one of my favorite museums, the Exploratorium.

Museum 20

Museum Teen Second Life Discussion 20

Museum 2.0

MAY 16, 2007

into the museum is the potential to encourage more positive in-museum interactions among strangers. I want in-person museum experiences to be more like experiences on social sites like Flickr, where strangers connect and form relationships around content. A lot of what interests me about bringing 2.0

Museum 20

Museum Myspace Facilitation Social Network 20

Museum 2.0

JULY 27, 2009

I’ve long admired Improv Everywhere , the NYC-based participatory public art group. But it’s all founded on these first few minutes, which create an environment of safe progression, clear instruction, and emotional validation.

Instruction 21

Instruction Instructional Nicaragua Experiment 21

Museum 2.0

JUNE 6, 2008

On June 4, we opened The Tech Virtual Test Zone , a new 2000 sq ft gallery at The Tech Museum of Innovation featuring exhibits on the theme of art, film, and music that were originally developed in Second Life by a community of creative amateurs. Some museum pros have been puzzled by this.

Virtual 21

Virtual Tech Lesson Develop 21

Museum 2.0

DECEMBER 2, 2008

They demonstrate that the blog is a more participatory vehicle than other kinds of media. Museum 2.0's The top three most commented-on posts on this blog are: What I Learned on My Summer Vacation (or, I am an Elitist Jerk) Warning: Museum Graduate Programs Spawn Legions of Zombies! They prove that the conversation is two-way.

Comment 20

Comment Museum Blogger Reflection 20

Museum 2.0

OCTOBER 15, 2007

I've been thinking recently about the "why" behind encouraging social interactions among strangers in museums. After all, people visit museums in their own pods for a reason. There are two ways I think we can be using this in museums. First, I think we should support the proliferation of museum-based "I saw you's."

Museum 20

Museum San Jose Participatory Social 20

Museum 2.0

SEPTEMBER 29, 2010

Now, after attending with museum friends from around the country, I'm hooked. Unlike most museum experiences, where people quietly absorb the work in a room, people were very comfortable pulling each other to specific pieces and extolling their merits or less inspiring qualities. Very few wrote in typical museum or even gallery-speak.

Arts 52

Arts Experiment Artist Social 52

Museum 2.0

JUNE 2, 2010

This year, the American Association of Museums annual conference was in Los Angeles (my hometown). I hosted two sessions, one on design for participation and the other on mission-driven museum technology development. He started with museums as a "place to go"--to see things, consume experiences.

Slides 22

Slides Museum Los Angeles San Jose 22