Audio Music Sound Voice 
NTEN
JANUARY 22, 2009
Podcasting is formally defined as the act of distributing syndicated audio content online via RSS to listeners who use software or a hardware device to receive updates. No reason to be afraid: the important part of this definition is that the audio content is syndicated. For sound effects, check out the Freesound Project.
Robert Weiner
DECEMBER 6, 2011
The reviews of Windows phones were intriguing, but the OS doesn't sound mature yet. Great video and audio. Maybe in a few years. So I bought an HTC Rezound (only available for Verizon). The Rezound is my first Android device. While I'm not finding the OS as intuitive and elegant as Palm's OS, I like it better than Apple's IOS.
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Museum 2.0
APRIL 2, 2014
Song Reader didn''t come as a CD, or an LP, or a bunch of digital audio files. It is what it sounds like: a book of original sheet music, beautifully designed and complemented with artwork and text. Sheet music is a beautiful analogy for this. The music he listened to on the radio "got its power" from studio techniques.
Have Fun - Do Good
OCTOBER 17, 2008
Built-in mike MicroTrack 2 by M-Audio. Need headphones to monitor sound. Electro-Voice Microphone 635A. Odeo: Free [link] Copyright Free Music Podsafe Music Network. Podcasting Hardware Olympus Digital Recorders $125-$200 on Amazon Samson Zoom H4 Handy Digital Recorder. About $270 on Amazon.com. Use with MicroTrak.
Have Fun - Do Good
FEBRUARY 26, 2006
Because of my husband's work, I had access to professional sound equipment: A Marantz PMD 660 Solid State Digital Recorder, (another professional option is an M-audio recorder ), a dynamic microphone, Electro-Voice 635A , and a cable to connect the microphone to the computer. I hope that helps aspiring podcasters.
Museum 2.0
JULY 27, 2009
I particularly like the MP3 experiments , events at which Improv Everywhere distribute an audio file to people for free as a podcast. Participants gather in a physical venue with their own digital audio players, and everyone hits “play” at the same time. The recording starts with two and a half minutes of music without talking.
Museum 2.0
MARCH 3, 2007
Sounds great. I found myself listening to the audio pieces not so much for the information as for an excuse to keep standing there, to combat my body’s readiness to “shuffle on.” Sometimes I listened to the audio pieces meant for visitors who are blind. How do I start? “So, So, how’s it hanging?” I loved that.
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