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40+ Unforgettable Live Auction Items that Sell Well

Bloomerang

Auctioneers have to capture the audience’s attention with eye-catching items that spark bidding wars. This guide is a great place to start to generate ideas for items and packages that will captivate your audience at your next auction event. Choose intriguing warm-weather locations like Belize, Jamaica, Australia, or Greece.

Artist 74
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10 Ways To Reveal Your Organization's Best Stories

Care2

What is special or interesting about the way your organization does business and serves its audiences and community? Think of your organization as Odysseus trying to get home to share your mission in Ithaca, Greece. Consider framing your story in a fairy tale structure.

Story 77
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NTC Boston: Brian Reich: Online Fundraising Strategy

Beth's Blog: How Nonprofits Can Use Social Media

Unicef in Greece raised $6 million euros for tsunami. CRM is about personalizing content and communication to your audience. multiple people in the organization can communicate with audience in different ways. He mentioned that ???short short code fundraising??? ??? Some money for Katrina came in this way. Way of life.

Boston 50
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The Best Nonprofit Social Media Campaigns of 2017

NonProfit Hub

Volunteers interviewed nine Syrian refugees who crossed the Mediterranean to Greece about their lives before they left Syria. Each of their stories was then illustrated on used life jackets, taken from the beaches of Greece where refugees arrive. Research your audience. What can you learn from truth’s campaign?

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Changing the World: TechSoup's Newest Global Partner

Tech Soup

In addition to Syria and Iraq, these are Bulgaria, Greece, Georgia, Armenia, Iran, and the Azerbaijani exclave: Nakhchivan. (If If you knew all eight, go buy yourself a cookie!). This is important given the lack of legal status for civic initiatives in Turkey.

Turkey 36
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Ancient Greece 2.0: Arts Participation before the Industrial Age

Museum 2.0

Audience commentary, comfortable spaces for eating and talking, opportunities for amateurs to contribute to professional work: these are often considered intrusions into formal, classical settings for enjoyment of arts. From the Ancient Greeks through the 1800s, audiences were rowdy, engaged people.

Greece 51