VQ Strategies

OCTOBER 7, 2022

Designed to assist and support an organization (and most commonly hospitals, museums, libraries, and arts organizations), these groups historically focus on raising funds, sometimes manage the volunteer corps, and nearly always maintain their own governance system. Lessons from the Field.

Structure 98

Structure Volunteer Model Leadership 98

Donor Search

SEPTEMBER 28, 2017

Museums house artifacts from the past, but who’s to say your operations have to stay there, too? By implementing museum software, you can get smarter about fundraising, membership management, and collections. Art galleries will require different…

Museum 40

Museum Software Structure Arts 40

Donor Search

SEPTEMBER 28, 2017

Museums house artifacts from the past, but who’s to say your operations have to stay there, too? By implementing museum software, you can get smarter about fundraising, membership management, and collections. Art galleries will require different…

Museum 40

Museum Software Structure Arts 40

Museum 2.0

JUNE 10, 2020

Nina Simon, Lauren Bentua, and many others would host us in the halls of the Santa Cruz Museum of Art. Is it the hierarchical structure of organizations? Acknowledging your role in structural racism is a good start but not enough, what are you going to do about it? Many of you are probably old museumcampers.

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Museum Map Structure System 29

Museum 2.0

OCTOBER 15, 2019

The Western Museum Association was kind enough to invite me to speak on a panel about engagement at their annual meeting in Boise. Phillip’s early remark about museums was an invocation for everyone. As an outsider, he immediately saw that museums were operating “under a business model that doesn’t work.”

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Museum Audience Conversation Associations 30

Museum 2.0

MAY 21, 2014

I''ve now been the executive director of the Santa Cruz Museum of Art & History for three years. We talk a lot at our museum about empowering our visitors, collaborators, interns, and staff by making space for them to shine. We work hard to name and build our culture in many ways. Naming our goals and our culture.

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Museum Director History Teen 49

Connection Cafe

SEPTEMBER 18, 2019

The following post was originally published on the Center for the Future of Museums blog. On Wednesday, August 8, over 300 museum professionals joined CFM director Elizabeth Merritt and Seema Rao, principal of Brilliant Idea Studio , to explore self-care in the museum workplace. But effort and efficacy are not the same.

Museum 21

Museum Culture Professional Training 21

Saleforce Nonprofit

AUGUST 20, 2021

The same historical and cultural structures that have held back diversity, equity, and inclusion (DEI) in so many aspects of our lives are also mirrored in much of the nonprofit sector. Change Organizational Culture. This can include incentive structures, remembering DEI in programming, speakers, professional development, etc.

Strategy 82

Strategy Fundraising Philanthropy Nonprofit 82

Museum 2.0

JULY 10, 2018

The museum was in huge financial trouble. My expertise was on inviting strangers to participate in public settings like museums. Priya Parker's wonderful book The Art of Gathering shares the core principles of how to drive. I remember the first staff meeting I ever ran. I wasn't sure we were going to make payroll that week.

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Hosting Arts Help Museum 31

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 1, 2010

Marnie Webb has been thinking about how the nonprofit sector might be different if organizations believed in abundance and re-thought their organizational structures and how they delivered programs as a result. If we thinking that way, what are the organizational structures that we have to build?

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Artist Structure Museum Nonprofit 96

Museum 2.0

APRIL 2, 2014

In his thoughtful preface to this project, I reconnected with five lessons I''ve learned from participatory projects in museums and cultural sites. If there are museum objects and visitors'' objects on display together, all should be afforded the same level of exhibit design, labels, etc. Constrain the input, free the output.

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Participatory Arts Music Learning 52

Museum 2.0

MAY 6, 2016

Five years ago, I left the consulting world to take the helm at the Santa Cruz Museum of Art & History (MAH) at a time of crisis and change. We have spent the past three years planning and raising money for a project to build a creative town square for our city on the front porch of the museum. I like change.

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Museum Director Arts History 20

Connection Cafe

MARCH 31, 2015

I recently had the pleasure of attending the South Carolina Federation of Museums Conference in Florence, SC. Here’s what I learned: At the core of each museum is a personal mission. I wasn’t familiar with many of the museums who were in attendance at SCFM, even though I’ve lived and worked here for 40 years now!

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South Carolina Museum Conference Personal 20

Museum 2.0

OCTOBER 17, 2012

When I started this blog in 2006, I made a multi-media introduction to the concept of "museum 2.0" Venue as content platform instead of content provider: the museum becomes a stage on which professionals and amateurs can curate, interpret, and remix artifacts and information. The museum gets better the more people use it.

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Museum Artist Remix Professional 47

Museum 2.0

JANUARY 4, 2010

It's rare that a participatory museum project is more than a one-shot affair. But next month, Britain Loves Wikipedia will commence--the third instance of a strange and fascinating collaborative project between museums and the Wikipedia community (Wikimedians). I hope you'll share your thoughts in the comments.

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Wikipedia Arts Museum Images 40

Museum 2.0

SEPTEMBER 18, 2013

This August/September, I am "rerunning" popular Museum 2.0 Originally posted in April of 2011, just before I hung up my consulting hat for my current job at the Santa Cruz Museum of Art & History. I''ve spent much of the past three years on the road giving workshops and talks about audience participation in museums.

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Museum Question Participatory Evaluation 45

Museum 2.0

AUGUST 1, 2018

I was at an informal talk by a visitor research professional from a large American art museum. Cultural institutions are willing to change to attract new audiences. When the MAH was changing aggressively, we embraced Elaine Heumann Gurian's idea of "the museum of and." I remember the exact moment when I snapped.

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Museum Audience Slides Press 40

Museum 2.0

JUNE 1, 2010

You can join the conversation in the blog comments, or on the Museum 2.0 Like many museum and library professionals, I am enamored of the idea of cultural institutions as “third places” – public venues for informal, peaceable, social engagement outside of home or work. This is the only post written by me, Nina Simon.

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Place Discussion Culture Museum 41

Museum 2.0

OCTOBER 2, 2013

George Scheer is the director and co-founder of Elsewhere Collective, a fascinating "living museum" in a former thrift store in Greensboro, NC. In this post, George grapples with the challenges of balancing the care for a museum collection with that of contemporary artists-in-residence who are constantly reinterpreting it.

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Artist Museum Proposal Participatory 49

Museum 2.0

OCTOBER 24, 2012

I like to ask myself this question periodically, challenging myself to find substantive ways for visitors to contribute to our museum. We actively seek participation and develop structured opportunities for visitors to collaborate with us. Last month, a couple came in and asked if they could stage a pop up tea ceremony at the museum.

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Platform Open Museum Participatory 41

Beth's Blog: How Nonprofits Can Use Social Media

MAY 7, 2010

Nina has written a fantastic book engagement called The Participatory Museum. Most of my work involves museums, but these categories can be useful in any project that involves user participation. I've purchase a two copies, one for me and one to give away. I’ve added one more category to the mix called hosted.

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Model Activities Active Activism 98

Museum 2.0

MAY 3, 2010

Last week, I attended Structure Lab , a half-day workshop on legal and financial structures for ventures for social good. Like many people in the arts, I'm interested in new models that help people combine mission-driven work with an entrepreneurial spirit.

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Structure Model Social Profit 31

Museum 2.0

FEBRUARY 15, 2012

We've gotten a little more organized at The Museum of Art & History , and we've now released opportunities for summer internships. These are unpaid part-time and full-time opportunities to help design public programs, develop new uses for the museum, perform visitor research, and pursue unusual projects.

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Museum Participatory Arts Attitude 34

Museum 2.0

MARCH 28, 2012

At the Santa Cruz Museum of Art & History (MAH), we've started experimenting with a "community first" approach to program development. There are many amazing community representatives from business, arts, education, and social services who connect us to powerful ideas and partners. Six goals for MAH community programs.

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Program Community Design Museum 49

Museum 2.0

APRIL 11, 2017

This is the sixth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. John would run Abbott Square Market , a multi-vendor food and drink business, adjacent to the plaza, adjacent to the museum. Money is on the table.

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Technique Museum Exercise Structure 29

Museum 2.0

APRIL 29, 2015

These are the slides and notes for the talk I gave at the American Alliance of Museums conference on Monday, April 27 about the Santa Cruz Museum of Art & History. When I became the director of the Santa Cruz Museum of Art & History four years ago, I took this work with me.

Build 20

Build Community Museum Artist 20

Museum 2.0

AUGUST 22, 2012

At the Santa Cruz Museum of Art & History, we take our interns seriously, give them real responsibility, creative challenges, and meaningful work opportunities. Second, and highly experimental, is the Museum Camp Internship. And of course, much more to come about Museum Camp in the months to come.) Exciting, right?

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Participatory Museum Photography Unconference 37

Forum One

FEBRUARY 19, 2024

This Black History Month, we reflect on the strategy work that our team does through our partnership with the Smithsonian National Museum of African American History and Culture —much of which centers around expanding access. A Seat at the Table It was March 2020. Endowed by Dr. Ruth J.

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History Accessibility Museum Award 73

Museum 2.0

JANUARY 24, 2011

This post features an interview with Sarah Schultz, a museum staffer at one of the institutions Light profiled in the book (the Walker Art Center). It's easier to secure grants for community-based programming or exhibitions, but it's not easy to get funding for some of the core work that museums do.

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Arts Interview Teen Artist 46

Nonprofits Source

JANUARY 23, 2023

Ad creation and keyword research: A Google Grants manager will structure your account properly and create ad campaigns that target valuable keywords. Account management and reporting: A properly-structured Google Grant account will run 3-5 campaigns at once to drive conversions. You’ll be up and running in no time!

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Grant Google Management Guide 52

Have Fun - Do Good

SEPTEMBER 6, 2006

Family structures around the world are changing, yet mothers are most often the parent who will stay at home with young children. Image & Identity: Culture behind clothes Deadline for submissions: May 1, 2007 Appearances aren’t everything, or are they? Clothes can express a part of who we are or the culture we represent.

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Museum International Story Music 40

Museum 2.0

NOVEMBER 2, 2011

And that's what this post is about--how we advertise the culture at our organizations (or not) when we offer new positions. I had a bit of a wakeup call about internships last month at an "emerging leaders" lunch event at the Mid-Atlantic Association of Museums conference. We might never get there.

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Museum Student Participatory Structure 35

Museum 2.0

AUGUST 4, 2015

In pop culture-land, relevance is all about now. If people on the street are talking about X, the museum should be talking about X too. This is the least useful form of relevance for the arts. I used to work at The Tech Museum of Innovation in San Jose, CA. It's a cultural institution problem. What's trending.

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Content San Jose Museum Miami 20

Museum 2.0

JULY 28, 2015

"We want our museum to be relevant." But what does it mean for a cultural institution to be relevant? In pop culture contexts, relevance is about currency. Art therapy program for trauma victims? How do we build relevance in cultural institutions? I've heard (and said) this many times. That's relevant.

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Lecture Headline Flash Culture 20

Museum 2.0

APRIL 19, 2016

Our museum has already had several requests to lend our support to bond measures that will be on the ballot in 2016. We reviewed a handful of existing policies from other institutions (local and national, museums and not), discussed their attributes, and started drafting/stealing/reworking with a Google doc. We only met once in person.

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Policy Advocacy Create Museum 20

Museum 2.0

APRIL 25, 2011

I've spent much of the past three years on the road giving workshops and talks about audience participation in museums. The Museum 2.0 In 2008 and 2009, there were many conference sessions and and documents presenting participatory case studies, most notably Wendy Pollock and Kathy McLean's book Visitor Voices in Museum Exhibitions.

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Question Participatory Museum Evaluation 49

Museum 2.0

FEBRUARY 12, 2009

The conventional wisdom on museum memberships is that they are "one size fits many" programs whose primary benefits are free entrance to the museum and insider access to exhibition openings. But what about all the other people who love your museum? Want to know how the Brooklyn Museum is answering this question?

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Museum Audience Program Artist 24