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Which New Audiences? A Great Washington Post Article and its Implications about Age, Income, and Race

Museum 2.0

The Washington Post covered the MAH's transformation as part of an article about museums engaging new audiences. One that has found remarkable success is California’s Santa Cruz Museum of Art & History. I'm also always interested in how the national media portrays changes in the cultural sector. The impact was dramatic.

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Participatory Moment of Zen: Diverse Visitor Contributions Add Up to Empathy

Museum 2.0

This person is writing about a participatory element (the "pastport") that we included in the exhibition Crossing Cultures. Crossing Cultures features paintings by Belle Yang that relate to her family''s immigration experiences. Response mail art after the visit. Collaboration in the months before the show.

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Yes, Audience Participation Can Have Significant Value

Museum 2.0

For years, I'd give talks about community participation in museums and cultural institutions, and I'd always get the inevitable question: "but what value does this really have when it comes to dollars and cents?" but I didn't have numbers to back it up. They all have in concert, and they build on each other.

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Building a Pipeline to the Arts, World Cup Style

Museum 2.0

And it''s got me thinking about how we build energy and audience for the arts in this country. Barry Hessenius recently wrote a blog post questioning the theory that more art into the school day will increase and bolster future adult audiences for art experiences. School is just a small part of it.

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Fundraising as Participatory Practice: Myths, Realities, Possibilities

Museum 2.0

As a designer, I'm always trying to ensure that participatory activities, however casual, impact both the participant and the organization. If fundraisers are so keen on relationships, why weren't they the first into social media and participatory projects on behalf of their organizations?

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Balancing Engagement: Adventures in Participatory Exhibit Labels

Museum 2.0

In our quest to make the public areas of the museum more reflective of Santa Cruz culture, we moved these boards from a comprehensive display in the history gallery into a main stairwell, prominently visible from the lobby and throughout the building. We decided to approach the label-writing for these boards in a participatory way.

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Lead or Follow: Arts Administrators Hash it Out

Museum 2.0

Last week, Douglas McLellan of artsJournal ran a multi-vocal forum on the relationship between arts organizations and audiences, asking: In this age of self expression and information overload, do our artists and arts organizations need to lead more or learn to follow their communities more? Here are three of my favorites.

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