Museum 2.0

OCTOBER 8, 2014

They arbitrated replicas, reproductions, models, and props. Many artists work with assistants and reproducing processes. They conducted a simple experiment: People read a story about a painting called "Dawn" created by an artist. In some, the artist produced the original painting. If done by the same hand?

Artist 55

Artist Museum Washington Arts 55

Beth's Blog: How Nonprofits Can Use Social Media

DECEMBER 1, 2010

Is that a Zen graffiti artist? Trying to do everything, a scarcity model, is such an exhausting way to work. She also admits that shift from artist to curator is not an easy one for many nonprofits because of the way they are structured. Flickr Photo by TheeErin. Or are we talking about all curation?

Artist 96

Artist Structure Museum Nonprofit 96

Beth's Blog: How Nonprofits Can Use Social Media

SEPTEMBER 29, 2015

It is a useful technique for creating a more responsive, flexible organizational culture as well as coming up with more innovative ideas for programs and grants that are a good fit. How do we leverage the “rain” of culture change?3. How might we create a funding model that nourishes flexibility and innovation?

Design 50

Design Strategy Facilitation Advocacy 50

Museum 2.0

SEPTEMBER 7, 2010

For years, I've been fascinated and a bit perplexed by the Elsewhere Collaborative , a thrift store turned artists' studio/living museum in Greensboro, North Carolina. Over the past seven years, this exploration has been undertaken by a staff of artists and more than 35 creators each year participating in our residency program.

Collaboration 36

Collaboration North Carolina Museum Artist 36

Media Cause

SEPTEMBER 29, 2021

That’s what I used to think along with many of my design role models. But the problem is that the practice of minimalism strips the world of culture and promotes a world of sameness where there is no room for differences. By focusing on minimalism, we’re creating a world devoid of diverse ideas, cultures, and expressions.

Design 52

Design System Structure Ratio 52

Connection Cafe

APRIL 29, 2015

Year after year, MCON proves to be an unforgettable experience for artists, media, social entrepreneurs, corporate, nonprofit and public leaders, and passionate people from across the country. Business: Companies and leaders who are transforming old business models. Who comes to MCON?

Generation 20

Generation Activities Active Activism 20

Museum 2.0

APRIL 2, 2014

There are many artistic projects that offer a template for participation, whether a printed play, an orchestral score, or a visual artwork that involves an instructional set (from community murals to Sol LeWitt). Beck talks about this in the context of learning to play music as a young artist. There are twenty songs in Song Reader.

Participatory 52

Participatory Arts Music Learning 52

Museum 2.0

JUNE 12, 2013

By inviting people to actively participate with us in co-creating programming, we empower them as creative agents, cultural producers, and people for whom the museum is a relevant, compelling partner. We use a clear logic model to relate our activities to their intended outcomes and impacts (here''s more about what a logic model is ).

Museum 55

Museum Learning History Arts 55

Museum 2.0

JANUARY 24, 2011

Guard staff who are willing to let an artist step between two panes of glass to perform. The Walker is also a place where everyone is committed to supporting artists and new work, so every time we bring in an artist, staff are enthusiastic about the idea of coming together to create something. It's inherent in what we do.

Arts 46

Arts Interview Teen Artist 46

Museum 2.0

AUGUST 14, 2013

And my museum, and this new model, as a space for them to do so. We ran with it and have since generated data about decision-making, cooperation, competition and negotiation for scientists (and also some artists) to play with. All of a sudden, I looked at my town as a place teeming with scientists in need of play.

Museum 51

Museum Roles Game Participatory 51

Connection Cafe

OCTOBER 8, 2013

Product Marketing Manager for Arts and Cultural Solutions. Use that valuable data to engage with them using the Amazon model: “If you like X, you might also like Y.”. Met the artist? Membership Arts & Cultural moves management relationship management ticket sales ticketing' That might be…. “If Let them know!

Costa Rica 46

Costa Rica Tips Arts Culture 46

Museum 2.0

MAY 13, 2015

He is committed to our aspiration of creating a new model of what museums can be in the 21st Century. As museums work to fulfill visitor-focused missions – in our case to inspire wonder, discovery and responsibility for our natural and cultural worlds - we face some ironic paradoxes. Those words haunt me.

Los Angeles 20

Los Angeles Museum History Artist 20

Museum 2.0

JUNE 27, 2012

This year, we produced our events--especially the 3rd Friday evening series--in partnership with over 700 artists and community organizations in Santa Cruz. Here are three possibilities I'm toying with for why events are taking center stage at museums: Culturally, we are shifting to a more event-driven society.

Museum 53

Museum Arts Dallas History 53

Museum 2.0

NOVEMBER 23, 2011

An exhibiting artist approached me recently at an evening event at the museum. I'm particularly curious about other cultural and community organizations--libraries, performing art spaces--and how hours impact their use and value. he said, "I have some feedback for you. He's right. They aren't. We're open Tuesday-Sunday, 11am-5pm.

Museum 55

Museum Open Artist Audience 55

Museum 2.0

JULY 12, 2010

When I first started exploring the site, I assumed it was mostly a place for charismatic hipsters and a few star artists with enough social media savvy and clever video production capabilities to produce enticing pitches. Why should cultural and arts organizations care about Kickstarter? The museum's page is much simpler.

Fund 49

Fund Museum Pledge Game 49

Museum 2.0

JULY 1, 2011

But the point is that the MAH, like just about every other museum in the known universe, was content to define the museum experience as something removed from the outside world, a rarefied church-like space of refined artistic reflection. We all know Santa Cruz is such a creative place," she said. I want to make this happen.'"

Museum 31

Museum History Arts Work 31

Museum 2.0

MAY 9, 2012

I led a session with Eric Siegel and Ellen Rosenthal on museum business models and some of the issues we grapple with in managing money. And I talked about some of the challenges of finding the right income and expense models for a museum that operates more like a community center than a traditional cultural institution.

Reflection 43

Reflection Columbus Museum Participatory 43

Beth's Blog: How Nonprofits Can Use Social Media

NOVEMBER 11, 2008

I was first introduced to the concept of the gift economy and pay it forward many years ago when I was the community builder for a first generation online network for artists, called ArtsWire. Yesterday, my kids came running into the office with a big box from Canada that said it contained documents and toy.

Hawaii 50

Hawaii Wikipedia Gift Cambodia 50

Museum 2.0

AUGUST 8, 2010

A Community-Based Approach to Collecting and Cataloging CUL is a replicable model for community archives that accepts every piece of print media from a certain area without making quality or importance judgments, going back as far in history as possible. You go online, and that’s why physical culture is at risk.

Chicago 48

Chicago Library Public Culture 48

Beth's Blog: How Nonprofits Can Use Social Media

OCTOBER 26, 2006

Another point of intersection here for me is Henry Jenkins recently published 72-page white paper " Confronting the Challenges of Participatory Culture: Media Education for the 21st Century." Some argue that young people acquire these key skills by interacting with popular culture. Expressions (media creation, mashups, etc).

Participatory 50

Participatory Teen Vlog Mashup 50

Connection Cafe

SEPTEMBER 24, 2020

As we head into the final months of 2020, some parts of the country are opening up more than others, consumers are itching to get out of their homes, and arts and culture organizations are at a pivotal moment in planning for their comeback. This was already playing out across mainstream genres (i.e. We have a future that’s ours to craft.

Arts 30

Arts Culture Organization Stream 30

Have Fun - Do Good

NOVEMBER 20, 2005

Not only does the Market give folk art collector folks an opportunity to see and buy work from all over the world, the coolest thing is what it means for the artists. Each attending cooperative might represent, for example, 600 artists back home in Bangladesh. Tom Aageson father The Purpose Prize

San Francisco 40

San Francisco Bangladesh New Mexico Artist 40

Museum 2.0

JULY 22, 2008

They are often one-offs for events but are increasingly included in the regular slate of programming at major libraries and cultural facilities (but at my count, only one museum). A museum tour in which a docent "tours" you to a variety of volunteer artists who talk about how they create their work.

Library 20

Library Model Museum Europe 20

Museum 2.0

SEPTEMBER 29, 2009

And then there's the Berkeley Ace hardware store, which has a basement lair devoted to model trains. In his identity work , John Falk determined that people use cultural institutions to reflect their personal self-concept as learners, social leaders, spiritual pilgrims, hobbyists, and experience seekers. What's going on here?

Museum 34

Museum Los Angeles San Francisco Model 34

Museum 2.0

AUGUST 19, 2015

Community First Program Design At the Santa Cruz Museum of Art & History , we've gravitated towards a "community first" program planning model. Often, organizations adopt a service model that is strictly needs-based. While needs are important, this service model can be demeaning and disempowering. It's pretty simple.

Teen 20

Teen Museum Voice Collaboration 20

Museum 2.0

AUGUST 29, 2012

Here are three of those assumptions and their substantiation in the Detroit Free Press: The arts are a private matter: Arts are about individual tastes, experiences and enrichment, and individual expression by artists. Your cultural outlet is art galleries and symphonies. This perspective was rampant in Michigan. Rebuttal: none.

Detroit 49

Detroit Arts Public Support 49

Museum 2.0

JULY 17, 2013

I was surprised by the extent to which reality TV culture imprinted on the experience. As a forest-dwelling hippie, I know very little about reality TV, but it''s clear that the model of "do an ambitious, wacky project really fast" is now tied closely to a slew of shows about everything from cooking to art-making.

Museum 49

Museum Arts History Professional 49

Museum 2.0

FEBRUARY 22, 2012

What happens when a formal art museum invites a group of collaborative, participatory artists to be in residence for a year? Will the artists ruin the museum with their plant vacations and coatroom concerts? Will the bureaucracy of the institution drown the artists in red tape? No, this is not a reality TV show.

Artist 39

Artist Museum Project Public 39

Beth's Blog: How Nonprofits Can Use Social Media

JUNE 27, 2006

" The model of State Department's Cultural Exchanges. We decided to follow our artists and engage the audience on this issues. They think of each other as gamers. When they find out you are an American, there is a moment of cognitive disonance, but then they come to: "You're not so bad as an American."

Game 50

Game International Darfur Sudan 50

Museum 2.0

JULY 1, 2008

Today, both of these models are threatened, and within 50 years they will no longer be sustainable. Why are our current models failing? The popular option at this time is to try to beat the experiential competition and ignore the Web-based cultural shift. Over the last 50 years, public-facing museums and libraries in the U.S.

Museum 20

Museum Library Participatory Wikipedia 20

Museum 2.0

MAY 19, 2010

Darcie described the Centre Pompidou in Paris as a place where she is surrounded by working artists, where things change frequently, and where she feels as a visitor that anything can happen. How can cultural professionals encourage feelings of complicity among visitors to our institutions?

Community 21

Community Museum Participatory Relationship 21

Museum 2.0

SEPTEMBER 24, 2007

It’s often confusing to wade through the choices: do I want the underwater pony show or the artist-led splatter tour? But there are other cultural and recreational activities with similarly small (or smaller) market share in the experience economy which are more consistent than museums price-wise.

Movie 20

Movie Museum Culture Free 20

ASU Lodestar Center

JANUARY 17, 2015

I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers). It was wonderful to again be immersed in French culture and language.

Professional 40

Professional Global Develop France 40

ASU Lodestar Center

JANUARY 7, 2015

posted by Maureen O''Brien Development Director Musical Instrument Museum I recently had the opportunity to travel to Paris, France to attend the 5ème conférence de fundraising pour le secteur culturel (5th conference on fundraising for the cultural sector) put on by the Association Française des Fundraisers (French Association of Fundraisers).

Professional 40

Professional Global Develop France 40

Museum 2.0

JUNE 6, 2011

Simply, I'm shifting my perspective from an exhibit-driven model to an event-driven one. It's not just a party; it's arguably the day of the month when we come the closest to achieving our vision of being a thriving, central gathering place for our community around art, history, ideas and culture. Let me explain. What do you think?

Museum 55

Museum Arts History Artist 55

ASU Lodestar Center

NOVEMBER 30, 2011

Redemption Merger: Similar Vision, Differing Models & Audiences. Due to the logistical challenge, they were exploring a video campus model. They ended up going with a model which used separate live speakers at each of their two campuses but which had a single support and administration team. I think we did it too quick.

Phoenix 68

Phoenix San Francisco Model Nonprofit 68

Kindful

MARCH 5, 2021

This funder invests in and strengthens the capacity of women-led movements to advance meaningful social, cultural, and economic change in women’s lives, specifically across three areas: Economic Justice, Safety, and Women’s Health. Foundation is to build women’s collective power in the U.S. to advance equity and justice for all.

Empowerment 104

Empowerment Grant Fund Resource 104