Museum 2.0

JULY 11, 2012

I get excited about a lot of things in my work at the Santa Cruz Museum of Art & History. That's how I felt when artist Ze Frank got in touch to talk about a potential museum exhibition to explore a physical site/substantiation for his current online video project, A Show (s ee minute 2:20, above).

Museum 45

Museum Participatory Artist History 45

Museum 2.0

OCTOBER 23, 2018

We partnered with foster youth, former foster youth, artists, and community advocates to create an exhibition that used art to spark action on issues facing foster youth. Short story: we learned a lot. The lessons I learned from Lost Childhoods are at the heart of the OF/BY/FOR ALL project we're building now. What did we learn?

Issue 45

Issue Childhood Community Create 45

Museum 2.0

JANUARY 18, 2012

When talking about active audience engagement with friends in the museum field, I often hear one frustrated question: how can we get adults to participate? In children's museums and science centers, this relationship is at its most extreme. And yet in the museum world, we still see interactives as being mostly for kids.

Interaction 47

Interaction Design Museum Participatory 47

Museum 2.0

SEPTEMBER 4, 2007

The ASTC (the Association of Science and Technology Centers) annual meeting is coming up in LA (home of my childhood), and Museum 2.0 In a world of increasingly sterile museum environments, the Museum of Jurassic Technology is a beacon of emotion, strangeness, and wonder. And if you want a more traditional Museum 2.0

Museum 20

Museum Tech Childhood Artist 20

EveryAction

MARCH 16, 2017

Whether quietly spearheading some of the world's most groundbreaking scientific and medical research or not-so-quietly leading revolutions on the battlefield, our history is ripe with stories of ferocious, adventurous, enlightened, and persistent women. Fund their work! Sheroes in the Arts. Lorraine Hansberry. Artemisia Gentileschi.

Story 133

Story Angola Sierra Leone History 133

Museum 2.0

APRIL 1, 2007

Recently, I’ve become a little disheartened by the extent to which the web has dominated my—and others’—thinking about ways that museums can integrate 2.0 But today I had an experience that reinvigorated my love for and belief in tangible projects that can fill museums with content that is user-generated, shared, and explored.

Generation 30

Generation Content Lesson Museum 30

NTEN

NOVEMBER 30, 2011

Now we have smartphones, whose data, when strung together forms the story of our lives. I can’t remember when I first heard, our identity is the story we repeat to ourselves. Our Stories. Today we have a wild abundance to the ways we collect our stories. What emerges is a story – your story.

Storytelling 87

Storytelling Story Mobile Childhood 87