Remove Artist Remove Blended Remove History Remove Participatory
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Is it OK to Smash That? The Complications of Living Art Museums

Museum 2.0

The man is artist Rocky Lewycky , whose work is part of a group show of visual artists who have won a prestigious regional fellowship. blends sculpture, repetition, and ritual performance in a political statement about the genocide of animals in factory farms. He takes a crowbar out of a Swiss Army backpack. Definitely.

Museum 50
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Think Like a (Real Estate) Developer: Introducing Abbott Square, Part 9

Museum 2.0

This is the ninth in a series of posts on the Santa Cruz Museum of Art & History ( MAH )'s development of Abbott Square , a new creative community plaza in downtown Santa Cruz. Working with creative people taught me to think like an artist: observe, explore, dive in, look out. We develop the ideas. We explore the possible programs.

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Wandering Down the "Don't Touch" Line

Museum 2.0

At the museum of art and history where I work, we are grappling with the question of how to help people enjoy themselves while keeping the art and artifacts safe. In the history gallery, we have some blended props and artifacts, and it's rarely clear what is and is not ok to touch. Engagement with local artists.

Museum 49
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17 Ways We Made our Exhibition Participatory

Museum 2.0

--Helene Moglen, professor of literature, UCSC After a year of tinkering, the Santa Cruz Museum of Art & History is now showing an exhibition, All You Need is Love , that embodies our new direction as an institution. This post focuses on one aspect of the exhibition: its participatory and interactive elements.

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Using Social Bridging to Be "For Everyone" in a New Way

Museum 2.0

At the Santa Cruz Museum of Art & History , we''re approaching this challenge through a different lens: social bridging. I don''t have the answer to how we can incorporate bridging across the various ways we work with intact and blended communities. Museum of Art and History programs social bridging'

Museum 55