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Designing Transformative Communications Capacity Building Programs for Nonprofits

Beth's Blog: How Nonprofits Can Use Social Media

We asked participants to do a “think and write” and jot down one idea that resonated before facilitating a grand synthesis of what we learned about designing more impactful capacity building programs for grantees. You can read my guest post over the Communications Network Blog that summarizes these insights. Training Design'

Design 95
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Setting the Stage with a Stellar Décor Committee Chair

Greater Giving

The Décor Committee Chair is not just a role; it’s an artistic endeavor that combines meticulous planning , creative vision, and a touch of magic. Your keen eye for detail, artistic flair, and passion for creating visually stunning experiences will play a crucial role in the success of the event.

professionals

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The Value of a Forum One Summer Internship

Forum One

This year, we were happy to continue our partnership with the Posse Foundation to recruit from a diverse group of talented students.Over the past two months, they seamlessly blended into the Forum One team and gained valuable hands-on experience along the way. Aniket Agarwal – Design. His favorite one is Olympus OM-2 from 1975.

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Accessibility on Social Media

M+R

Whenever video content is being created, having open captions designed to fit your nonprofit’s branding and to be as accurate as possible will better serve both your audience and your own goals. . And when shown at low-resolution, they are easier to make out than serif typefaces, which can sometimes blend together. . And heads up!

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Getting in on the Act: New Report on Participatory Arts Engagement

Museum 2.0

How did the authors come up with the intriguing blend of curatorial, interpretative, and inventive opportunities shown in the Audience Involvement Spectrum's Venn diagrams? Why is a photography contest an example of "crowd sourcing" wheres a community drawing contest is an example of "audience-as-artist"?

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Wandering Down the "Don't Touch" Line

Museum 2.0

And this works pretty well in science museums, where designers talk about "hardening" exhibits to withstand the more aggressive touchers among us. In the history gallery, we have some blended props and artifacts, and it's rarely clear what is and is not ok to touch. Engagement with local artists. What do you think?

Museum 49
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Think Like a (Real Estate) Developer: Introducing Abbott Square, Part 9

Museum 2.0

Studying engineering taught me to think like a designer: state the problem, brainstorm, test, iterate. Working with creative people taught me to think like an artist: observe, explore, dive in, look out. An artist says: “I’ll explore the world, pull ideas from it, and craft a response.”

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